Hurme FIN Mono 1a Thin
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Hurme FIN Mono 1a Light
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Hurme FIN Mono 1a Regular
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Hurme FIN Mono 1a Medium
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Hurme FIN Mono 1a SemiBold
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Hurme FIN Mono 1a Bold
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Hurme FIN Mono 1a Black
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Hurme FIN Mono 1a Thin Oblique
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Hurme FIN Mono 1a Light Oblique
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Hurme FIN Mono 1a Regular Oblique
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Hurme FIN Mono 1a Medium Oblique
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Hurme FIN Mono 1a SemiBold Oblique
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Hurme FIN Mono 1a Bold Oblique
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Hurme FIN Mono 1a Black Oblique
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Hurme FIN Mono 1a Light

The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard №476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.

Hurme FIN Mono 1a Light Oblique

The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard №476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.

Hurme FIN Mono 1a Regular

The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard №476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.

Hurme FIN Mono 1a Regular Oblique

The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard №476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.

Hurme FIN Mono 1a Bold

The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard №476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.

Hurme FIN Mono 1a Bold Oblique

The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard №476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.

Information

Hurme FIN Mono is a simplified monolinear and monospaced sans-serif. Horizontal stroke terminals. Short ascenders and descenders. Optically adjusted Obliques.

Seven weights, in total 14 styles.

Opentype Features:
Stylistic Sets + Stylistic Alternates
AllCaps / Case-sensitive forms
Discretionary ligatures + arrows
Ordinals
Fractions
Numerators + Denominators
Slashed zero

Hurme FIN Mono 1b is an alternative design of FIN Mono 1a.

Hurme FIN Mono 1a and FIN Mono 1b are essentially the same fonts, but with different sets of characters set as default. In both family variants, all the other characters can be accessed through the Opentype features.

When buying FIN Mono 1a, you will receive corresponding weights of FIN Mono 1b free of charge.

Related families

Download PDF specimens

Styles included in family

  • Hurme FIN Mono 1a Thin
  • Hurme FIN Mono 1a Light
  • Hurme FIN Mono 1a Regular
  • Hurme FIN Mono 1a Medium
  • Hurme FIN Mono 1a SemiBold
  • Hurme FIN Mono 1a Bold
  • Hurme FIN Mono 1a Black
  • Hurme FIN Mono 1a Thin Oblique
  • Hurme FIN Mono 1a Light Oblique
  • Hurme FIN Mono 1a Regular Oblique
  • Hurme FIN Mono 1a Medium Oblique
  • Hurme FIN Mono 1a SemiBold Oblique
  • Hurme FIN Mono 1a Bold Oblique
  • Hurme FIN Mono 1a Black Oblique

Supported languages

Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Azerbaijani, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish (Latin), Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni

Under Purchase options, please select the style and add the licences/quantities you need for each style. After your payment is done, you will receive the font files within minutes. If you have any questions or need technical support, please contact us.

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