Hurme FIN 1a Light
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard №476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Hurme FIN 1a Light Oblique
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard №476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Hurme FIN 1a Regular
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard №476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Hurme FIN 1a Regular Oblique
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard №476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Hurme FIN 1a SemiBold
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard №476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Hurme FIN 1a SemiBold Oblique
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard №476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Information
Hurme FIN is a simplified monolinear sans-serif design with a large design-space from Expanded to Compressed family variants. Horizontal stroke terminals. Short ascenders and descenders. Optically adjusted Obliques. The x-height increases proportionally towards the narrower family variants.
Nine widths, eight weights. In total 144 styles.
Opentype Features:
Small Caps + All to Small Caps
Stylistic Sets + Stylistic Alternates
AllCaps / Case-sensitive forms
Discretionary ligatures + arrows
Ordinals
Fractions
Numerators + Denominators
Proportional Oldstyle figures
Tabular Lining figures
Slashed zero
Hurme FIN 1b is an alternative design of FIN 1a, featuring angular and monospace -inspired characters with slab-serifs. FIN 1b can be seen as a transition between monospace Hurme FIN Mono and more grotesque FIN 1a.
Hurme FIN 1a and FIN 1b are essentially the same fonts, but with different sets of characters set as default. In both family variants, all the other characters can be accessed through the Opentype features.
When buying FIN 1a, you will receive corresponding weights of FIN 1b free of charge.
Related families
- Hurme FIN 1a Compressed
- Hurme FIN 1a Condensed
- Hurme FIN 1a Extra Narrow
- Hurme FIN 1a Narrow
- Hurme FIN 1a Wide
- Hurme FIN 1a Extra Wide
- Hurme FIN 1a Extended
- Hurme FIN 1a Expanded
- Hurme FIN 1b Compressed
- Hurme FIN 1b Condensed
- Hurme FIN 1b Extra Narrow
- Hurme FIN 1b Narrow
- Hurme FIN 1b
- Hurme FIN 1b Wide
- Hurme FIN 1b Extra Wide
- Hurme FIN 1b Extended
- Hurme FIN 1b Expanded
- Hurme FIN Mono 1a
- Hurme FIN Mono 1b
Download PDF specimens
Styles included in family
- Hurme FIN 1a Hairline
- Hurme FIN 1a Thin
- Hurme FIN 1a Light
- Hurme FIN 1a Regular
- Hurme FIN 1a Medium
- Hurme FIN 1a SemiBold
- Hurme FIN 1a Bold
- Hurme FIN 1a Black
- Hurme FIN 1a Hairline Oblique
- Hurme FIN 1a Thin Oblique
- Hurme FIN 1a Light Oblique
- Hurme FIN 1a Regular Oblique
- Hurme FIN 1a Medium Oblique
- Hurme FIN 1a SemiBold Oblique
- Hurme FIN 1a Bold Oblique
- Hurme FIN 1a Black Oblique
Supported languages
Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Azerbaijani, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish (Latin), Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni
Under Purchase options, please select the style and add the licences/quantities you need for each style. After your payment is done, you will receive the font files within minutes. If you have any questions or need technical support, please contact us.
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